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Anticàmera 2017 is the homonymous photographic book edited by Anticàmera, a Milanese location scouting agency. A limited edition, this “voluminous” business card represents the starting number zero of a large photographic research project around the concept of place.  And that by starting from the theme of space, each volume takes its shape from year to year within a specific genre.

 Anticàmera 2018 is a book with an essay by Angelo Flaccavento and also an exhibition of photographs that introduce new works and the imagination of the Anticàmera agency. This volume contains the selected places, the photographic ideas, the narrative approach and the aesthetics of Anticàmera's work.

 The selection of photographs includes some shots made for previous projects curated or commissioned by Anticàmera and other new ones properly selected for this book, realized by 29 photographers who alternate eye and environments, poetics and unpublished details: Kira Bunse, Gaia Cambiaggi, Dario Catellani, Tag Christof, Roberto Conte, Bea De Giacomo, Paolo Di Lucente, Andrea Ferrari, Alessandro Furchino Capria, Stefano Galuzzi, Stefan Giftthaler, Giulio Ghirardi, Martina Giammaria, Adrianna Glaviano, Estelle Hanania, Hill & Aubrey, Romain Laprade, Allegra Martin, Carlotta Manaigo, Piotr Niepsuj, Ilaria Orsini, Edoardo Pasero, Maciek Pozoga, Leonardo Scotti, Scandebergs, Federico Torra, Fabrizio Vatieri, Camille Vivier, Claudia Zalla.

 The presentation of the volume Anticàmera 2017 is accompanied by a selection of photographs taken from the book, on view at the Galleria Carla Sozzani bookshop.

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curated by DOMUS

Walter Mariotti, Editorial Director, Simona Bordone, Special Projects, Cristina Moro, Archives

 On the occasion of the 90-year anniversary of Domus, the Fondazione Sozzani presents in Milano Domus 90. Gio Ponti, in conjunction with Miart and Salone del Mobile 2018.

Gio Ponti, founder and director of Domus for more than forty years, excelled as an architect and designer across many platforms. The literature on his work is vast.  It is always interesting to review proposals and presentations from these archives on houses that he designed over the course of his career and his exceptional commitment to the furnishing of their interiors. 

He engaged the smallest details of an environment and designed dishes, vases, furniture, chairs, but also fabrics, postcards, and covers, always exploring the expressive potential of the materials, from paper to glass, to the "skin" of a building, every project designed with the same careful attitude to support Gio Ponti's concept of space. This exhibition will highlight the relationship between the many skills of Gio Ponti relying on the Domus Archives and their materials as the basis for this story that traces the vision of a key-figure who still inspires our imagination for his extraordinary design ability.

Saturday, April 14th 2018

Press Preview, from 3.00 pm to 6.00 pm

Opening, from 6.00 pm to 8.00 pm

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The sun was trying to break through the fast-moving clouds as we searched down a long alleyway for Kris’s studio. Of course, there wasn’t a number – there wasn’t even the name RUHS scratched into metal of the huge industrial door at the entrance. Kris finally came out front, looming large in his work clothes like a character out of John Steinbeck’s play Of ‘Mice and Men’. We went inside, and he replied in his soft-spoken way as we complimented him on the drawings and sculptures that filled the space, “The light is beautiful in here.” On my light meter I was only getting an aperture reading of f/2.8 at 1/15th. I was reminded of the time I photographed Balthus at his studio in Switzerland, which is built right into the ground. I barely got a reading on my light meter there, too. It was quite late by the time we got to the boxing club, but I didn’t even notice because I was already busy photographing the fighters in the ring, throwing vicious punches at each other and swearing in Italian, as Kris said in a reassuring way, “Don’t worry, you’ll love the light.” Bruce Weber In 2003 Bruce visited Kris studio in Milano and then again in 2011 and 2014, he took a series of photographs. A collaboration between artists. This show is the memory of those days and of this friendship. 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